
Here an extract from the text written by Svetlana Poleschuk :
The Merci Project / Inochi is a book created and curated by american photographer
James Whitlow Delano which has put up a good list of 118 photographers
which accepted to donate their photos for a special fund raise. Worth to buy if you look for a good photo book . Here more from the statement of the project which is
possible to purchase also on Amazon.
"The Mercy Project / Inochi features the work of 118 photographersfrom 28 countries from Magnum, VII Photo, Noor, National Geographic, to emerging talent worldwide coming together to create awareness and raise funds for hospice and palliative care. Eleanor Clift, a Newsweek writer who has also been a beneficiary of hospice care when her husband was in need, wrote the postscript for the book. I posed one question to photographers I’d met all over the world (through my reportage work), after the untimely passing of hissister, Jeanne, and last member of his nuclear family to renal cancer: “share with me one photograph that says to you, ‘MERCY’”. I hoped that this collection of photography could contribute in a meaningful, concrete way in the effort to expand awareness about the critical role that hospice care can play, as it is likely to touch the lives of most of our families during the course of our lives. Hospice care, the most humane care I have ever encountered, allowed our family to come together and freed Jeanne from pain so that we could focus more on her final 5 months of life. I have partnered with San Diego Hospice and the Institute for Palliative Medicine in California, which has a tremendously effective outreach program to the community and the medical profession. The Japanese partner is Japan Hospice Palliative Care Foundation."
I will attend the launch of the Book : Shanghai : a History in Photographs, 1842 - Today and the speech of Karen Smith which together with Pulitzer Winner Shing Heung Liu have worked in compiling a remarkable collection of Photographs of the Chinese Metropole. I am also proud to be part of this collection with a contribution of 2 photographs from my archive on Shanghai. Here the note from the publisher Penguin :
Shanghai is a visual history that tells the story of modern China as witnessed by this romantic city. The end of the Opium Wars in 1842 effected a dramatic transformation, turning a sleepy backwater into a bustling treaty port. Over the intervening 160 years, Shanghai has been shaped by outside forces - foreign concessions, Japanese invasions, the arrival of the Communists and the cult of Mao, they have all played their part in sculpting today's Shanghai. China's turbulent history is traced through Shanghai's evocative, beautiful, and sometimes painful images. As we reach the present day with its helter-skelter development, lavish wealth is juxtaposed against grinding poverty, and documented through the lenses of Shanghai's most important contemporary artists. Told through rare official archive photographs, images taken from private collections, new commissions, and co-author Liu Heung Shing's own work,Shanghai is the definitive history of the most beautiful of China's cities. Shanghaiwill be available in both hardcover and paperback, and will be for sale inside the Shanghai hall of the World Expo 2010
Approaching Chinese New Year in China is like to look at a picture , elements of happiness but also element of movements , people reaching their homes , 700 millions of people on the road. China is a different "world" and perhaps hard to describe , also photographically speaking only Chinese can describe better themselves, the book "The Chinese" from Liu Zheng is a good project in that sense, showing the diversity of the society of this immense country.
Here a small introduction of the book from essay of Christopher Phillips and Gu Zheng:
In 1994, Chinese artist Liu Zheng conceived of an ambitious photographic project called The Chinese, which occupied him for seven years and carried him throughout China. Inspired by the examples of August Sander and Diane Arbus, he has captured a people and country in a unique time of great flux, providing a startling vision of the deep-rooted historical forces and cultural attitudes that continue to shape China and its people. Liu seeks out moments in which archetypal Chinese characters are encountered in extreme and unexpected situations. His photographs are divided among a number of topics which betray a dark vision, albeit one that is laced with mordant humor. His main subjects to date have included street eccentrics, homeless children, transvestite performers, provincial drug traffickers, coal miners, Buddhist monks, prison inmates, Taoist priests, waxwork figures in historical museums, and the dead and dying. This is the first monograph of his work to appear outside of China and will accompany Between Past and Future: New Photography and Video from China, a major exhibition at the International Center of Photography, New York.